Smokie: Gold. 1975-2015. 40th Anniversary Edition (3 DVD)
Connexions: Methode De Francais: Livre D'eleve Niveau 2
Stimuler l'apprentissage du francais avec des documents authentiques courts;
12 documents video varies (extraits de films, interviews, reportages, documentaires, etc.) pour aborder differemment certains aspects culturels et socioculturels du monde...
Mozart, Nikolaus Harnoncourt: Cosi Fan Tutte (2 DVD)
Opera In Two Acts Fiordiligi - Edita Gruberova Dorabella - Delores Ziegler Guglielmo - Ferruccio Furlanetto Ferrando - Luis Lima Despina - Teresa Stratas Don...
Семинар "Ведьмина лестница"
"Ведьмина лестница" - это материализованное заклинание, цель которого — там, где вы ее наметите сами. С точки зрения материального мира — шнур или связанные шнуры с узелками или вплетенными предметами. Правильно сделанная "Ведьмина лестница" будет...
Prokofiev: Romeo & Juliet
Today, when Prokofiev's Romeo and Juliet h so popular in the theatre, it is curious to recall how comparatively little known were the ballet and its music in the 1950s. The first Russian staging was made by Leonid Lavrovsky at the Kirov Theatre, Leningrad, in 1940, five years after Prokofiev had completed the score. It was in 1956, when the Moscow Bolshoj Ballet arrived in London for Soviet ballet's ground-breaking first visit to the West that die emotional force of this production was seen, and profoundly affected our audiences. On 3 October in that year, the curtains of the Royal Opera House. Govern Garden, rose to reveal the motionless triptych of Romeo, Friar Laurence and Juliet (who was Galina Ulanova, Moscow's divinity). Even now, the sensation caused by that evening lingers on We were bowled over by the power of Muscovite dancing, by the radiance of Ulanova's presence, by the Torre of Prokofiev's score. Ironically, in the previous pear Frederick Ashton, The Royal Ballet's master choreographer, had staged his own response to this music in Copenhagen Tailored to die modest forces of the Royal Danish Bailer, this production had a clarity very different from the epic sweep of the Bolshoj version. Within two years of the Bolshoi's appearance, John Cranko, who had made his name as a young choreographer with The Royal Ballet mounted a version of Romeo for La Scala Milan, and this he revised and developed in 1962 when he became director of the Stuttgart Ballet.
Act 3 ...
Saint-Saens, James Levine: Samson Et Dalila
Opera In Three Acts
- Samson - Placido Domingo
- Dalila - Olga Borodina
- Grand-Pretre De Dagon - Sergei Leiferkus
- Abimelech - Richard Paul Fink
- Un Vieillard Hebreu - Rene Pape
- Un Messager Philistin - Charles...
The History Of The Eagles (2 DVD)
"Director Alison Ellwood, along with Producer (and Academy Award-winning documentarian), Alex Gibney, meticulously crafts an intimate patchwork of rare archival material, concert footage, and unseen home movies exploring the evolution and enduring...
Riccardo Chailly: Viva Verdi! The La Scala Concert
If there is one opera house in the world synonymous with the music of Verdi it is theTeatro alia Scala, Milan. This concert from the sumptuous auditorium of La Scala was given in celebration of the 200th anniversary of Verdi's birth and comprises some of...
Bravo! Video 1
La video de BRAVO!
1 reprend les principales situations rencontrees dans le livre de I'eleve de BRAVO!
1 ou presente des situations proches, mises en scene dans des sequences courtes et dynamiques.
La rubrique Parlons francais! va...
Engelbert Humperdinck, Kaufmann: Konigskinder
The first production of Konigskinder on film. Konigskinder follows the tumultuous story of the rugged King's Son, and the beautiful Goose-girl. After a chance meeting in the woods, the Konigskind (Jonas Kaufmann — "the fairy-tale prince of most...